A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

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Dedicated to the One Eye Love is a Chaplinesque meditation on silent film, and a rather apocalyptic view of Chicago in the early 1970s. A homeless man roams the streets of an empty downtown. The sky keeps flashing as though bombs were dropping, or perhaps the BIG one. He meets a woman in an abandoned building. They dance and part company.

Edith is a hotel waitress, single and in her mid-forties, with a major infatuation on Maurice Silcox, the hotel's head waiter. But Edith becomes distraught when she learns that Maurice has been offered a more prestigious job at a luxury hotel. Maurice explains to Edith that he can only take the position if he is married. Unaware Edith's crush, Maurice proposes. She accepts and they set up a household for business purposes only -- complete with a photograph of a make-believe son. As Edith continues to live with this charade, her obsession with Maurice and the "son" grows, leading to a shocking and disturbing outcome!

Nabua’s spaceship as an ideally manufactured vessel slowly lifts off from the ground and flutters in the air for a moment. Then it moves back down to the earth. This loop portrays a never-really-taking-off spaceship.

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A nanny, played by Sayuri Yoshinaga, who lives and works in a Tokyo family, causes all kinds of waves with her outspoken personality and behavior in this charming coming-of-age blockbuster.

About the work of Georgy Alexandrovich Tovstonogov — People's Artist of the USSR, professor, laureate of the State and Lenin Prizes, and chief director of the Maxim Gorky Bolshoi Drama Theater.